
Stervhïa is a Mexican band dedicated to fuse a variety of musical genders and elements: It all took place in the city of Puebla when DR. J. Ramoz and Elizabeth Solana after giving birth to a variety of bands they began to work in a concept based on musical production made with machines and organic elements, basing it through a series of narrated stories with the voice of Elizabeth in a artificial language that later on they would denominate Mitrahäm.
Stervhïa is one of the first words created in this language and its conceptual meaning makes reference to human emotions as a docile and tender sample of pleasure and pain, in which represents the way you can live sweetly with innocence and perversions brought through the experiences in life and projected through musical expressions in the imaginary world that only happens inside the head of its members.
Couple of months after finishing their first scale models they decide to show their work to Bishop, who by that time had founded and was directing with Miguel Gonzalez developing a one of the actual independent labels with major international and national projection in the country. Later on Bishop decides to leave the team and the headmaster of this label to fully dedicate Stervhïa and the production of Non Muntër LP. The activities surrounding the preparations of the record makes the empathy and friendship closer between them not only he stays as a producer of the band but as the third member of Stervhïa making adjustments, programming, editing and developing the sound and characteristic concept of the band.
Stervhïa is an independent band that carefully follows its details with all the artistic creation of compositions and harmony such as voice and lyrics as sound production and the image that gives life to its concept are strength that generates its musical course you could relate it to certain established genres because effectively it has different elemental influences although Stervhïa is a band without labels and the only definitive is that its music represents its own identity.
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